|
Eliseo Grenet Sánchez (12 June 1893 in Havana – 4 December 1950) was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music.〔Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 2, p175〕 Eliseo was one of three musical brothers, all composers, the others being Emilio (Neno','' 1901–1941) and Ernesto (1908–1981). Emilio went on composing even after having an arm and a leg bitten off by a shark in 1930;〔Sublette, Ned 2004. ''Cuba and its music: from the first drums to the mambo''. Chicago. p406〕 Ernesto was a drummer who became leader of the Tropicana's orchestra. == Life & work == Eliseo studied music under Mercedes Valenzuela and Leandro Simón Guergué, the father of Moisés Simons. In 1905 he played piano in the silent film theatre ''La Caricatura'', and in 1909 directed the orchestra of the ''Politeama Habanero'' theatre, which mostly showed zarzuelas. Later he joined the company of Regino López at the ''Teatro Cubano''. In 1925 Grenet founded a jazz band which played in the cabaret ''Montmatre'' and the ''Jockey Club''. The line-up included Grenet (piano); Manolo Castro (alto sax); José Ramón Betancourt (tenor sax); Pedro Mercado (trumpet); Jorge Bolet (piano sub); Enrique Santiesteban (percussion and singer).〔Acosta, Leonardo 2003. ''Cubano be, cubano bop: one hundred years of jazz in Cuba''. p28〕 In 1927 came the premiere of the zarzuela ''La Niña Rita, o La Habana de 1830'' at the ''Teatro Regina'', with music by Grenet and Ernesto Lecuona. In this zarzuela, Grenet's number, the tango-congo ''Ay, Mamá Inéz'', became a huge hit, and remains popular today and is often heard at wedding receptions. Its origins lie in a comparsa number of 1868, and in its new guise became one of the signature numbers for the vedette Rita Montaner. In 1930 he set a number of Nicolas Guillén's poems ''Motivos del son'' to music. Grenet left Cuba in 1932 after falling foul of some of Gerardo Machado's henchmen, for the lyric of his ''Lamento cubano'', which had the line: :''Ay Cuba hermosa, primorosa, por qué sufres hoy tantos quebrantos?'' (Beautiful Cuba, why do you suffer such troubles () today?)〔 He returned after Machado was forced out of office. Whilst abroad in Spain he directed the orchestra for the operetta ''La virgen morena'', in Barcelona. Next, in Paris, he directed the same work. In Paris, too, he played piano at La Cueva, the nightclub he partly owned, in the resident band of Julio Cueva. There he joined his brother Ernesto, who played percussion. It was here that playing ''La comparsa de los congos'', that he realized the potential of this carnival rhythm. It has been said that he introduced the conga to America, and this may or may not be true. The Lecuona Cuban Boys, a touring band, were writing and playing congas at the same time. In 1936 he founded the night-club ''El Yumurí'', on Broadway and 52nd St, New York City. This which featured a local Puerto Rican group led by Pedro Flores, and a cabaret. In 1938 Grenet presented the review ''La Conga'' in his club, and later put on a spectacular at the ''Teatro Hispano'' in New York, with the leading Cuban singer Panchito Riset (Havana, 21 October 1911–New York, 8 August 1988).〔Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 4, p27 for Riset.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eliseo Grenet」の詳細全文を読む スポンサード リンク
|